Death Cab For Cutie
I have to respect that Chris from DCFC posted a comment on my blog.
Here's what he has to say, and I'm inclined to believe that his feelings are genuine.
Hello, all -
This is Chris from Death Cab for Cutie. I don't particularly want to argue or be a very large part of this conversation, but clearly we've done some irreparable damage to our relationship with KXRK, and with a few of our fans, and some statement should be made on our behalf. I always prefer that such statements are personal, and not handed down from management or wherever, so here it is.
It's important to note that, since our first show in November of 1997, we have canceled exactly three scheduled engagements. One was in 1999 when Ben was violently ill with heat stroke in Austin. Another was in Houston last year when the electricity went out at the venue, and the roof was leaking onto the stage. The third cancelation was last week, at KXRK in Salt Lake City.
It's simply not in our nature to walk out on an obligation without reason - this should be obvious from our track record. We love performing, we enjoy talking with our fans, and we still freak out when we get to meet our favorite bands.
There are a few realities, as a successful-bordering-on-famous band, that we're having to learn. We've always prided ourselves on our approachability, but as the lights get brighter it becomes more difficult, and more uncomfortable, to negotiate uncontrolled situations. We've gotten stuck a few times now doing promotional things that went haywire; appearances that have gotten uncomfortable or even ugly.
The point of all this is that we'll do just about anything if we have all the information, if we know what we're getting ourselves into. We, by way of management and our label, agreed to a live, in-studio performance at KXRK. We did not agree to put on a show in the lobby of an office building. Those two things are not the same. The station told all its listeners, all of you, to come see a performance that we neither agreed to nor were we ready for. I apologize to anyone who made the trek to the station to see us play, and was disappointed by our no show. You were given false information. And really, all the station had to do to make it seamless was to let us know the score - we'd have brought different instruments; our engineer would have come along; we would have brought the silver Sharpies to sign our black record for you; I'd have made a concerted effort to brush my teeth. And most importantly, we'd have known we were going to meet you. It's like when your roommate throws a party when you thought it was going to be a nice, quiet evening at home. We simply weren't prepared.
By contrast, our engagement at the other station in town was spotless. They were clear, detailed and professional in their communication with us, and we knew exactly what to expect. It wasn't a public performance; there was no PA, and therefore, no need to have our engineer along.
Whatever you end up thinking about us as a result of all this is ultimately alright (actually, I encourage the homophobes to stay away, please). Just know - this goes for Todd Newcomb, as well as all the fans - that, in the course of nearly six hundred shows, a hundred radio performances and fifteen van tours, we've only bailed two other times: Once for illness and once for a
power outage. Doesn't that imply that something actually went wrong?
- Chris / Death Cab for Cutie
1:36 PM
NOW NO SWEARING IF YOU CHOOSE TO COMMENT. Maybe the actual band members are innocent in this little mess. I hope so. I really like their music and was excited to meet them.
Here's what he has to say, and I'm inclined to believe that his feelings are genuine.
Hello, all -
This is Chris from Death Cab for Cutie. I don't particularly want to argue or be a very large part of this conversation, but clearly we've done some irreparable damage to our relationship with KXRK, and with a few of our fans, and some statement should be made on our behalf. I always prefer that such statements are personal, and not handed down from management or wherever, so here it is.
It's important to note that, since our first show in November of 1997, we have canceled exactly three scheduled engagements. One was in 1999 when Ben was violently ill with heat stroke in Austin. Another was in Houston last year when the electricity went out at the venue, and the roof was leaking onto the stage. The third cancelation was last week, at KXRK in Salt Lake City.
It's simply not in our nature to walk out on an obligation without reason - this should be obvious from our track record. We love performing, we enjoy talking with our fans, and we still freak out when we get to meet our favorite bands.
There are a few realities, as a successful-bordering-on-famous band, that we're having to learn. We've always prided ourselves on our approachability, but as the lights get brighter it becomes more difficult, and more uncomfortable, to negotiate uncontrolled situations. We've gotten stuck a few times now doing promotional things that went haywire; appearances that have gotten uncomfortable or even ugly.
The point of all this is that we'll do just about anything if we have all the information, if we know what we're getting ourselves into. We, by way of management and our label, agreed to a live, in-studio performance at KXRK. We did not agree to put on a show in the lobby of an office building. Those two things are not the same. The station told all its listeners, all of you, to come see a performance that we neither agreed to nor were we ready for. I apologize to anyone who made the trek to the station to see us play, and was disappointed by our no show. You were given false information. And really, all the station had to do to make it seamless was to let us know the score - we'd have brought different instruments; our engineer would have come along; we would have brought the silver Sharpies to sign our black record for you; I'd have made a concerted effort to brush my teeth. And most importantly, we'd have known we were going to meet you. It's like when your roommate throws a party when you thought it was going to be a nice, quiet evening at home. We simply weren't prepared.
By contrast, our engagement at the other station in town was spotless. They were clear, detailed and professional in their communication with us, and we knew exactly what to expect. It wasn't a public performance; there was no PA, and therefore, no need to have our engineer along.
Whatever you end up thinking about us as a result of all this is ultimately alright (actually, I encourage the homophobes to stay away, please). Just know - this goes for Todd Newcomb, as well as all the fans - that, in the course of nearly six hundred shows, a hundred radio performances and fifteen van tours, we've only bailed two other times: Once for illness and once for a
power outage. Doesn't that imply that something actually went wrong?
- Chris / Death Cab for Cutie
1:36 PM
NOW NO SWEARING IF YOU CHOOSE TO COMMENT. Maybe the actual band members are innocent in this little mess. I hope so. I really like their music and was excited to meet them.

32 Comments:
i'm pleased to see that at you least you respect the fact that he had the decency to let the people of utah know what happened.
That was a very nice thing of Chris to do. I'd like to apoligize for my words as well.
Thanks for commenting Chris. That was way awesome of you.
-Zack
I'm just embarassed that Chris might have seen some of the dumb-ass pictures of me on this blog. Now he knows what a total geeky nerd I am.
I do have to say I respect Chris for wanting to post a comment to explain his side of things. That is a rarity in this business, and does show class on his part.
Having worked with Todd I can honestly say that there has never been any miscommunication with bands who have performed at X96. Was it the fault of management for not giving the proper information? I aks because of Chris's comment:
"We, by way of management and our label, agreed to a live, in-studio performance at KXRK. We did not agree to put on a show in the lobby of an office building. Those two things are not the same."
Now compare that to Todd's Earlier Blog Post:
"The event was set up two weeks ago between the record rep and me. I requested a performance and interview in Airwaves
*The record rep has been to our facility several times and has seen our studio with the window, and Airwaves."
Methinks a record weasel (Copyright Sean-boy Walton. All rights reserved) was less than clear with the people he's supposed to represent, because no other band to date has made such a miscommunication.
If the members of Death Cab do read this, you might want to have a little sit-down with your rep about this, if you haven't already.
I believe him, it just sounds like a miscommunication
SEE i told you they gotta have a reason! And that is why i love them because they comment on your blog thingy telling you why if he didn't then we would be dissing on them and not know what their story was! hehehe THANK YOU CHRIS I LOVE YOU!
..are u wearin a tube top?
This is exactly why I defended Death Cab from the start. They're good people.
Wow, now you can say that you have only ever canceled three events: one for an illness, one because of nature, and one because... you forgot... to brush your teeth...?
Whatever. It still sound like a case of premaddonaitis to me. Particularly considering that you played before a crowd at the "other" radio station.
Wait, Chris just said it WASN'T a public performance at the other one.
maybe.. lol
homophobia is stupid. What's wrong with tube tops? sorry for swearing todd.
So it wasnt what they expected...WHO CARES still sounds like a poor excuse. death cabs last album wasnt what i expected can they send me my money back? Man they must be spoiled
what did you expect?? i probably don't want to know......most of the people talking shmack are idiots anyway
Here is wishing Yoko Ono (or would it be Yoko Ona) on Death Cab
I've gotta say I'm still pretty disappointed in DCFC. I'm sure they've put up with a lot of crap over the years to only have cancelled twice before this...and they're saying that this little mix-up is worse than that? I find that very hard to believe. I have to agree with he prima-donna-itis mentioned earlier. It just doesn't add up. By the way, their show the other night was BARELY 90 minutes...what's up with that? I guess the lights just got too bright.
I just want to say, I was just as ticked off as Todd when I heard what happened. Ever since I heard that DCFC was changing labels that I was a little skeptical. I have seen what those labels can do to genuinely good artists. But this is a perfect example what happens over the grape vine. Things get distorted plain and simple! After I cooled down I got thinking I knew it had something to do with the label but everyone I tried to talk to talked me into being mad still. I'm just glad Chris was cool enough to speak up for the band. I know that for something that big it's not just that simple to be like oh... let me pull all the proper equipment out of my butt and lets do this. I wasn't there at airwaves, I wanted to be, and I don’t know how many people were really there, but when you are only expecting employees, verses the employees, there friends, and any random person off the street to be there it's a little intimidating. I just want to give them props for trying to handle it the best way they knew how... and if you thought you could have handled it better... well that is you not everyone handles thing ths same... and as Todd said on that mix up of a day... I say these things in the name of Artie Fufkin AMEN!
Wow... sarcasm and malice from those who seem to understand the heights and depths of the music industry and every little crevice involved, and from those who don't understand anything about anything, well they seem to be downright understanding. (i hope you can read my sarcasm and malice.)
squash it
Lame Excuse DCFC. Put on your big girl panties and just deal with it. If it weren't for the fans you would be nowhere! If the lobby of KXRK's office building wasn't up to your standards, than why not come in and do some question/answer with the fans, oh wait, you were afraid of the fans, didn't want things to get uncomfortable or ugly....give me a break.
They deserved the boner...don't feel bad Danny. They could have made the situation better, but like you said, they hid in their car.
I'm starting to think anonymous is the same person who just can't get over this.
today was the first time I've ever posted.
Todd you are whipped, and by a half a$$ band at best. They really didn't even Apologize! You are both sellouts, and I used to have so much respect for you. Now you say you've kissed and made up? Looks to me more like you groveled back to them for more crappy treatment. What a sorry interview I heard between you and dcfc, NOTHING was resolved, nothing was clarified. I can’t believe your back playing their “music”, I don’t care how popular they are or think they are, screw ‘em! They have quickly let their popularity make them ultimate rock star prima donna’s. For shame Mr. "newcomb" (him spelling your name like that was the ultimate crap on you after they beat you up). for SHAME.
F**k em'! The Bloodhound Gang showed up with one guitar and a $19 Casio keyboard made for kids under five. They drank beer, hung out and told some good stories. They even brought gift for those who attended. I am pretty sure the Bloodhound Gang didn't bother brushing their teeth either.
That's because they're the bloodhound gang. Talk about ass bad music.
"Todd you are whipped, and by a half a$$ band at best"
Chris walla is probably the hardest working man in indie rock. If they really were prima donnas then why would they care what one radio station thinks of them ?
I think the funniest thing I've seen in a long time was my chemical romance (in suits with white ties) accepting some award for what people think is musical talent and sending shout outs to fallout boy who was up against them. I mean did it really matter who won ? anyway this whole death cab wussies argument is pretty much dead I think.
they DON'T care what one station thinks abou them, hence this whole deal. They blackmailed nuk'em by the record label threatening to blackball the station if he didn't go on and say "oh these guys are so nice" when they didn't say sh#t. He came on with Todd (in a feeble attempt at best) to play a little pr control. WOW way to go Chris, your such a real dude. He may have talent, but he's still an uber-dick.
You're still posting under anonymous. I don't know exactly what happened, neither do you. All I know is that these guys are not pretentious, they are not dicks, they do care about their fans, and they make very good music. I really don't think you should go bad mouthing walla or any other of the band members as they are people that you don't know. That's quite a bit different than bad mouthing someone for handling a situation in a certain way. I also think you make too much of the fact that they're now on atlantic. Do you honestly think a label is going to go and blackmail a radio host into saying someone is a nice person? Do you really think the label would force chris walla to post on todds blog when they don't even impose themselves on their recording process? Everything is a huge conspiracy isn't it. I'm sorry but if todd got so upset about death cab not playing one in lobby appearance, then he'd better damn well get upset about a record label telling him he can't play the latest lil kim or uncle cracker album. This went from everyone making posts defending todd for standing up to the evil forces of death cab for cutie, to you saying todd will only defend himself and his radio station when it's one band that he can't play. This doesn't make sense. Stop bad mouthing chris walla for defending himself and the band and let this thing die.
I agree with the sentiment that DCFC completely wussed out. That doesn't mean it's entirely the band's fault, but if you play music for a living then show up with the instruments you intend on playing.
Also, how bad could a radio interview/3 song set go? I am in a local band and we would tear up an on-air interview and performance (Oh wait, we already DID (over at KRCL in august of 2005)). We didn't have a crowd at the radio station when we played - and we would have LOVED one.
It was nice of Chris to drop a note, but in all reality the note doesn't matter. Mostly because as a musician (I can't speak for them, but I can speak for me) you live to play in front of an audience - for that immediate feedback and energy. There's no feeling like it in the world.
I'm not familiar with DCFC's music, but it almost seems as though they had the "instruments that play themselves" that day.
"I'm not familiar with DCFC's music"
Wow that pretty much summed up your argument.
You don't have to be familiar with DCFC to see that they totally wussed out.
"just shut up and play".
Post a Comment
<< Home